Hammerhead Stoneworks offers a stone fire pit design solution for small patio spaces. This past spring I built what I call an Invisible Fire Pit. This is a design solution for a small patio area. A typical stone fire pit can take up a great deal of space. In a small area, this can be problematic, as it limits the amount of outdoor furniture one can use, or make it hard to entertain in the space at times when a fire isn’t desired. The Invisible Fire Pit is built down into the ground, but has a stone cover, so that when not in use, it really isn’t noticed. You can walk right over it with no indication that the space beneath your feet is hollow. Of course, this raises the issue of how to access the fire pit. I had my blacksmith friend Lynda Metcalfe make wrought iron handles. These are drilled through the stone and rest in a small groove I cut into the top of the stone. With the handles recessed in this way, there’s no trip hazard. The stone is still heavy, so it’s best to lift it with a friend! Last weekend the client had us over and my boys roasted marshmallows over the fire with his daughter. It was a great fun and the fire pit will get plenty of use in the coming months, as the nights cool off so perfectly.
This past winter I completed a natural stone mosaic called “The Hiker” that now rests over the gravesite of John LedBetter, a beloved husband, father and Scoutmaster who passed a year ago March. In July, WNCW interviewed me about the piece and the story behind it. Check it out! See more images.
My current project has me journeying to Chapel Hill to build a entry sign for the Ironwoods neighborhood. Two years ago I built a memorial bench in this same neighborhood for Grandpa Tony. I am delighted that they invited me back to complete this project, a collaboration between myself and blacksmith & artist Lynda Metcalfe. I met Lynda during the Handmade House in the Ramble project and have been hoping to find a way to work with her ever since. I am excited about the collaboration and how the final piece will mesh our two crafts and styles into a seamless design.
The boulders are anchored in concrete and the wall sits on a slab. The wall is structural stone, about fourteen inches thick. The big boulder (roughly 1500 pounds) has a perfect notch for my cell phone.
I used a sheet of foam core to create a template of the boulder’s shape to give Lynda a rough guide as to where her ironwork will tie into the stonework.
Thanks be to Matthew Feldt for the photographs and all his help with this project.
This is the beginning of a set of drystone steps that fall on a very tight radius. This is a new challenge and one I’m truly enjoying. When completed it’ll be a set of eight steps that lead to a patio that I’ve nearly completed.
Here’s another view of the tight radius, from the inside. Not quite a spiral staircase, but still tight and fairly detailed in terms of structure and placement. Unlike a spiral staircase though, there’s ample room to land a foot on each tread, an important aspect for a heavily used set of steps.
This is the sketch I made to help guide me through the layout, so that I hit the top of the block wall in the proper alignment. I spent a couple of hours moving pixel-stones around on the screen, trying different configurations to get the right arc. So far, reality is lining up with the design quite nicely.
Here’s the scene at the entrance to the Rock Hill horse farm. The connecting wall will top out at about 28 inches, so there’s a bit more to go. The far column has some sample caps resting in place. Columns of this volume might require a massive cap to help visually anchor them. That decision hasn’t been made yet…
Here’s a front-on view of the mailbox vault shortly after completion. I’m very partial to this style: structural quoins, solid stone lintels, serious gravity. It’s a mix of old school and new style. My conservative estimate puts each column weighing over two tons.
This is a plan from my tiny notebook that I eventually scrapped, in favor of thinner stones for the quoins, adding an extra pair of stones in order to make full height. I worried that at almost 7″ thick, the quoins as drawn would be out of scale to the rest of the work.
Detail looking down the quoins.
This Northern Fence Lizard spent the night resting in a nook in one the block I used for my low scaffolding. It was a very safe place until I started work in the morning. I had to move him because he was too cold to move himself. His tail is obviously shortened, perhaps by a predator, perhaps by not being careful enough around the stone pile.
The new class schedule for the North Carolina Arboretum was recently announced. I am leading three stonework classes this spring. DIY Flagstone Paths & Patios will be offered twice, on Saturday April 10th and on Friday April 16th. In the morning session, we discuss the basics of drystone flagging: necessary site prep, the principles of good structure and varying joinery styles. In the afternoon we go outside to the stone classroom and practice the essential skills: moving stone safely, shaping individual pieces and leveling the patio.
I am offering a brand new class this spring, called Stonework Special Projects: Making a Bench on Saturday May 15th. In the morning we will discuss the design and structural issues of building a stone bench. In the afternoon we will build a freestanding bench ourselves. Topics of note including cutting stone with feathers and wedges and how to move large stones safely.