Topography Steps and Path
We recently completed a pair of small projects for a customer on Beaucatcher Mountain. They were both short walkways with steps in them. The client was familiar with our work and a fan of our cut flagstone mosaic patios and paths. He asked us to incorporate a design into the first project, a set of six steps that led from his driveway into a grassy yard. His design mandate was very generous- “Make me something cool.” We can do that! (See also “Stone River Step,” another of Hammerhead’s cut flagstone mosaic patios and paths.)
The inspiration for the pattern comes from topographic maps. If you’re familiar with such maps, you know how endless lines loop and circle back to show the contours of the land. When the lines are close together, the land is steep. Lines that are far apart indicate flatter ground. They are beautiful to look at and each bit of land has its own profile; the maps look something like fingerprints.
Topography is important to us here in the mountains, and good bit of our work at Hammerhead is contending with steep ground. Sometimes we have to retain them with walls, other times, like this project, we install steps to help people navigate them. And even when we build a mostly flat patio, we have to deal with issues of rain water and erosion. Our job is topography.
Individual stones have topography too, though we perceive that more as texture. Sometimes you’ll find a stone in the pile that you can imagine could be a complete cliff face, hundreds of feet tall.
I called this set of steps “Pisgah-ish” because the design was loosely inspired by the topographic map of the celebrated Mount Pisgah. (It may even be visible in the distance from this grassy yard – I’m not sure, I have a terrible sense of direction.)
For as simple as the design is,it was very complex to execute. Probably the biggest issue was the fact that the stone we used was almost 3 inches thick. That made cutting it to such tight tolerances time consuming and delicate. A couple of the stones were cut to resemble donuts, with an opening inside them for other stones to nestle in. That was just straight up twitchy. Fred and Jonathan joined me at the shop to cut all of these pieces.
After all the stones were cut, I stacked them up, taking the flat map and making it back into a typography. It would be a hard walkway to navigate if we left it that way, but it is probably my favorite image from this project.