These small stone engravings of animals are going to be incorporated into the patio I am currently building. They are a subtle detail meant to reward closer inspection. I made them as a surprise for the homeowner’s daughter, who is in my son’s kindergarten class.
Hooper’s Creek is quarried in Fletcher, North Carolina- the nearest source of workable building stone to Asheville. It is a type of granitic gneiss, a metamorphic stone that is extremely hard and dense. It has a great texture and it sounds like glass when you hit it with a hammer.
These images show a patio made almost exclusively of Hooper’s Creek. And some pebbles of course. The grain of Hooper’s Creek gives it the sharper angles and straighter lines than the sandstones often used for flagging.
I didn’t have a jar of marbles with me, so I made one from some red clay and cured it in the sun.
A Gray Tree Frog (Hyla versicolor) is an uncommon sight at any time, as they are well camouflaged, hide way up in trees and are entirely nocturnal. Odd then to find this little guy way out on a branch on a cold November morning. He was chilly and not inclined to move much. Once the sun hit him around lunch time he got more motivated and went into hiding.
Last week I traveled down to Florida and installed the “Blue Spiral” which I’ve been working on for the past few weeks.
I drove down on Monday and the stone arrived the next morning. It was a soggy day, but mild compared to the weather Gainesville had endured all summer. It never topped 90 on my whole trip, but the week before it had been pushing 100.
It took me a day and a half to pack up all the stones for travel. I used cardboard between each layer on a pallet and shimmed under stones to keep everything level and tight. Lots of strips of cardboard went between the stones on each layer, so that there wouldn’t be any movement and vulnerable points wouldn’t be broken. Then I shrink-wrapped the heck out of it. It all traveled beautifully; there was no damage to any of the 105 pieces. Thanks to Dennis at Dayrunner Systems for taking such care with my delivery.
It took three very full days to install, plus some final tweaks in Friday morning before I started my drive home. My favorite part of the installation process was seeing the stone in natural light. I had built it in the shop, but it was always deeply shaded in there, with a few florescent lights overhead. Thursday evening, when it was substantially complete and the sun was setting, I really got to see the richness of the color in the composition. It was a very gratifying moment.
Here’s the piece in its new home. I placed some sod around the edges, but I think the landscape crew will make some adjustments to that, maybe even add a gravel path. It’s sited at the Gainesville Regional Utilities Eastside Operations Center. It’s a huge new campus, with seven new buildings, all of which will be certified LEED Silver. It’s an impressive place.
On Thursday, my friend Mary Padua brought a group of students from the University of Florida to the site site. She is a professor in the Landscape Architecture program at UF and a gifted designer and photographer. The students are studying implementation and construction drawings. I talked briefly about the project, about the work in general and designing with stone. I’m hoping that someone took a picture or two that I can post here in the near future, with notes on the conversation.
I owe a debt of deep gratitude to John Hayes, the Public Art Coordinator of the City of Gainesville’s Art in Public Places Trust and his board for giving me this opportunity. I am also very grateful to Reid Rivers, GRU’s Project Manager, who was incredibly helpful and supportive in shepherding the project along.
It’s not exactly a maker’s mark, but I did sign the bottom of stone 8.1 with a Sharpie.
The Blue Spiral is an original Artwork commissioned by and in the public art collection of the City of Gainesville.
The piece is ready for its unveiling tomorrow. I’m hosting an open house at the studio tomorrow morning, before I take it all apart and load it on pallets.
104 templates cut and curled up in a bucket. Tomorrow I start messing around with the way it all fits together. It’s easy to get lured in to fixing each stone as I lay it, but in reality, it’s often one stone, somewhere else in the design that is pushing the stones too close together or too far apart. Find the offending party and fix it and then the rest will find their place.