Speckled Crab Claw Mosaic

Speckled Crab Claw Stone MosaicCrab Claw Stone Mosaic

This speckled crab claw stone mosaic is a small part of a very large mosaic that I’m currently building for the Southside STEM Academy at Campostella in Norfolk, VA. It’s part of a public art project that entails designing and installing six natural stone mosaics in various elementary schools there over the course of the next couple of years.

The claw itself is made mostly of various marbles from Tennessee.

Sand Dollar Mosaic

Sand Dollar Mosaicsand dollar mosaic

This sand dollar mosaic is a small part of a very large mosaic that I’m currently building for the Southside STEM Academy at Campostella in Norfolk, VA. It’s part of a public art project that entails designing and installing six natural stone mosaics in various elementary schools there over the course of the next couple of years.

sand dollar mosaic

This mosaic is made exclusively of Quaker Gray marble from Tennessee Marble Company. Since I used only only one type of stone, I tried to explore texture and profile. The radiating arms of the star design all rise above the plane of the mosaic. This will will be installed at ground level and will encourage kids to touch and interact with the mosaic.

Cicada Mosaic

Cicada MosaicCicada Mosaic

This cicada mosaic is a small part of a very large mosaic that I’m currently building for the Southside STEM Academy at Campostella in Norfolk, VA. It’s part of a public art project that entails designing and installing six natural stone mosaics in various elementary schools there over the course of the next couple of years.

The cicada mosaic is about 33 inches across and will be one of seven circular panels surrounding two kids who are exploring nature with magnifying glasses and sketchbooks. When completed, the mosaic will be applied to a wall in the main hallway just inside the front entrance to the school. The entire mosaic including the cicada panel is called The Tiny Kingdom.

The Boy With Antlers

The Boy With Antlers
The Boy With Antlers

My mosaic entitled “The Boy With Antlers” was recently selected for a the North Carolina Artists Exhibition Opening sponsored by the Raleigh Fine Arts Society. This show specifically showcases artists from all over North Carolina. The piece is 24″ X 36″ and weighs about 55 lbs.

It will be on display at the Betty Ray McCain Gallery at the Duke Center for Performing Arts from March 4, 2018 until April 22, 2018. The juror’s lecture and awards take place on March 8 from 4:00 – 5:00 and will be followed by a wine reception and art sale from 5:00 until 6:30.

Read more about “The Boy With Antlers” as well as other original mosaic art here.

Great Blue Heron Garden Guardian

Great Blue Heron Garden Guardian

The Great Blue Heron Garden Guardian is now installed. The body is made of blue Bahia tile, while the bill is yellow travertine. The legs are made of a marble from Tennessee. The heron is inlayed into a piece of scrap stone from a former project. Read about the stone inlay process of this piece here.

Great Blue Heron Garden Guardian

Garden Guardian in Place

Great Blue Heron Garden Guardian

Prepping for Installation – Photo Credit: Jonathan Frederick

The Great Blue Heron is one of a few Garden Guardian projects we have designed and installed. Explore some of our other Garden Guardian projects here.
Call Marc at (828) 337-7582 or email him to have your own Garden Guardian commissioned.

Stone Inlay Process

Stone Inlay Process – Great Blue Heron

I’ve had this piece of stone at the shop for over a year. It was cut from a bench we installed in the Memorial Garden of First Baptist Church Asheville. I really liked the color and surface texture and was waiting for a project to suggest itself – and along came this blue heron stone inlay. I envisioned it becoming a Garden Guardian like Coyote, a piece we recently designed and installed in Atlanta.

Stone Inlay Process

The drawn pattern of the stone inlay

Soapstone is used to create the lines of the general shape, while a Sharpie is used for the exact contour. (Soapstone blows off when the grinder hits the rock, but the Sharpie stays in place.)

The Cutaway

The heron is a challenging shape. The point of the beak as well as the curve of the neck were both difficult to get just right, so I used pretty much every tool at my disposal. In order to use a small radius blade, I even got a little Dremel tile saw, which was a bit helpful, but overall lacked the needed power. I used a hammer and a very sharp lettering chisel to get the points as crisp as possible.

Stone inlay process

The stone cutaway

The Rubbing

Once the design is cut into the stone, I do a rubbing of sorts to get the contours on paper. I can remember doing this with my mom as a kid in the historic cemeteries of Rhode Island where I’m from. While never as exact as I want it to be, it’s usually pretty close. I drop my shapes onto this and then cut them out.

Stone Inlay Process

The shape rubbed on paper

Design Pattern

As you can see from the countless scribbles, I go through a lot of ideas. (And that’s after having drawn to design before I even started.) What looks good on paper and a small scale might not work in large scale. Due to the complex design of this project, after I cut it I had to reassemble it so I could figure out how the pieces fit together.

Stone Inlay Process

The drawn pattern. Note: nails only there to keep it from blowing away

Starting the Inlay

I knew I wanted the body and wings to be blue Bahia. This is a super expensive tile, but the color is astounding!

Stone Inlay Process

Starting the inlay with blue Bahia tile

The Heron’s Gray Neck

I think the scientist in me got a little too interested in biological accuracy. A great blue heron’s is more gray than blue, and I wanted to reflect that in the inlay. (And yes, I understand that even their wings aren’t that blue!) I switched from the blue Bahia tile to a gray stone for the neck. While I like the gray stone, I didn’t really like the effect.

Stone Inlay Process

The heron’s gray neck

The Finished Product

This is a little more like it. The body, neck, and head are all blue, while the beak is a particularly yellow type of travertine. The crest is black, and the legs are a marble from Tennessee.

Stone inlay process

The finished product

I had to cut the legs twice as the first ones were so snugly fit that a few grains of sand made a wedge between the legs and the stone, making it impossible to get them out without breaking them. I ended up cutting several of the stone of this finished stone inlay more than once.

Atlanta Art Projects

 

Atlanta Art Projects

These two pieces were created for clients in Atlanta, GA. “Coyote” is what I call a garden guardian. It is a freestanding garden sculpture set in concrete below grade. The coyote itself is made of a polished black marble that was inlaid into a slab of Tennessee sandstone. While labor-intensive to produce, the results are worth it.

The dendrite stone screen, or framed picture stone, features a beautiful dendrite pattern in a slab of 2′ by 3′. Despite their appearance, dendrites aren’t actually fossils of a fern or other plant but result from mineral intrusion into the stone.
We designed the frame and had a friend fabricate it for us. The frame secures the stone without requiring any drill holes or epoxy. For installation, the frame is bolted to a subterranean concrete slab.

Sacred Fire Circle in Alexander, NC

Sacred Fire Circle in Alexander, NC

Sacred Fire Circle Panorama

Sacred Fire Circle

Hammerhead completed the fire circle in January of 2014 for clients hoping to use the space for ceremonial gatherings.
Rays of black granite shoot out from the central fire ring in the cardinal directions until they meet the four large site boulders. Each site boulder frames one side of the four semicircular stone benches that border the circle. Reclaimed granite of various colors and patterns give each planet orbiting around the fire ring its own distinct look.

Click here for the process of creating this unique project, and click the image above for a huge view!

The planets in orbit around the sacred fire circle

The planets in orbit around the fire circle

Hammerhead Stoneworks Featured in Asheville Lifestyle Magazine

Following up Hammerhead’s recent feature in the Slippery Rock Gazette, Asheville Lifestyle magazine’s September 2016 issue features our Green Man mosaic as well as other projects. We completed the Green Man Mosaic for Green Man Brewing in downtown Asheville, NC. The mosaic greets brewery visitors immediately upon entry to the building.

The full size mosaic in the space as featured in Asheville Lifestyle magazine

The full size mosaic in the space as featured in Asheville Lifestyle magazine ©2016 David Dietrich

The article describes in detail the process of designing and creating the Green Man mosaic. It covers Marc’s attention to detail and quality, it elaborates on the local materials used for the project, and it gives an introduction to the full Hammerhead crew. The feature also includes a glimpse into one of Marc’s personal pieces entitled The Boy With Antlers (pictured below).

"The Boy With Antlers" is a natural stone mosaic.

“The Boy With Antlers” is a natural stone mosaic

Read the full feature in Asheville Lifestyle magazine here.

 

In the mosaic workspace

In the mosaic workspace

 

Contributors to the Asheville Lifestyle Magazine Feature

We would like to extend our gratitude to Tom Rogers for authoring this piece as well as to David Dietrich, Emily Glaser, and Kristin Cozzolino for their photo contributions.

 

Hammerhead Stoneworks Featured in the Slippery Rock Gazette

The Slippery Rock Gazette recently featured Hammerhead’s Green Man mosaic completed for Green Man Brewery. The article explains in great detail the process of creating the mosaic from the imagineering phase to the finished product. Additionally, readers can learn about why certain stones were selected as well as what a project of this scale entails.

Access the full feature here.

Special Thanks for the Slippery Rock Gazette Feature

We extend our gratitude to Peter J. Marcucci for authoring this feature as well as to Braxton-Bragg, who both publishes the Gazette and regularly supplies Hammerhead Stoneworks with cool tools and cutting supplies.

The full size mosaic in the space as featured in the Slippery Rock Gazette

The full size mosaic in the space Photograph ©2016 David Dietrich