Phoenix Stone Mosaic

Phoenix Stone Mosaic

Phoenix Stone Mosaic

Life Drawing: Phoenix Rising is a 9.5 feet by 17.5 feet natural stone mosaic. It was completed in late October after four long, long days. It is installed at Richard Bowling Elementary School in Norfolk, Virginia. The mosaic is located in the main hallway of the school, near the entrance to the cafeteria and the gym and not far from the main office. It is part of a series of mosaics we are making as part of a public art project for the city of Norfolk. I have so much appreciation and respect for my crew whose commitment and craftsmanship made this possible. Thanks be to Fred Lashley, Jonathan Frederick and Tony Costa.

Click here for other mosaics in this series. Enjoy the details of this piece in the photos below.

phoenix stone mosaic

Phoenix Stone Mosaic

 

Phoenix Stone Mosaic: Coming Soon!

This phoenix stone mosaic is in progress as part of a public art installation in public schools in Norfolk, VA. The Hammerhead crew leaves this week to install it there.

The Phoenix Head

phoenix stone mosaic

The original concept for this artwork was a Great Blue Phoenix. Equally inspired by the rugged beauty of the great blue heron and the strength and persistent lives of the mythical Phoenix, the color theme was to be blue and gray. But I ran into a problem finding blue stone! Always expensive, there are very few types of truly blue stone that are made into tiles and sold in the United States. So I had to pivot…
Now the Phoenix is just a Phoenix. I think you can see the hint of the heron in this image of the Phoenix’s head.

The Workshop

phoenix stone mosaic

This table is my happy place. I have spent many hours here cutting templates and tracing patterns on to stone. Sometimes it’s hard to find a place to work because there’s so many tile choices on the table. A large map of the whole mosaic hangs over the table and is a useful reference. Hanging over the map is the phoenix tail, awaiting stone choices and cutting.

Design Reversal

phoenix stone mosaic

After we finished cutting the piece, we started laying it out. In a manner common to mosaics, we are laying it face down. Once we have established that we like the fits between stones, we are going to glue it to the paper. Then, we’re going to epoxy mesh to the back. Instead of 500 individual stones, we will have approximately 20 panels of stone to install.

Phoenix Detail

phoenix stone mosaic

By the nature of this process, we have never seen the completed mosaic all together in one place. I guess I can see how that would be a liability, but I prefer to think of it as a opportunity. It will be exciting to see it on the wall, for the first time, with the kids who it is for. It will be a surprise for all of us!

Phoenix Stone Mosaic: Feathers

phoenix stone mosaic

We have been calling these shapes scallops. They are a main element of the wing design. I made no effort to arrange the colors, preferring to let randomness take its course.

See some completed stone mosaics in this series in Norfolk, VA here and here.

Thimbleweed Stone Mosaic

Thimbleweed Stone Mosaic

Thimbleweed Stone Mosaic

This thimbleweed stone mosaic is a small part of a very large mosaic that I’m currently building for the Southside STEM Academy at Campostella in Norfolk, VA. It’s part of a public art project that entails designing and installing six natural stone mosaics in various elementary schools there over the course of the next couple of years.

The thimbleweed (Anemone virginiana) is a native flower to Virginia. The mosaic was crafted using white marble, green marble, scabos travertine (yellow inner), and ocean pebbles.

Praying Mantis Stone Mosaic

Praying Mantis Stone Mosaic

Praying Mantis Stone Mosaic

This praying mantis stone mosaic is a small part of a very large mosaic that I’m currently building for the Southside STEM Academy at Campostella in Norfolk, VA. It’s part of a public art project that entails designing and installing six natural stone mosaics in various elementary schools there over the course of the next couple of years.

The eyes of the praying mantis are a fossilized coral called Petoskey stone, while the mantis itself is primarily a native North Carolina stone. Each of these pieces is about 34″ in diameter.

 

Speckled Crab Claw Mosaic

Speckled Crab Claw Stone MosaicCrab Claw Stone Mosaic

This speckled crab claw stone mosaic is a small part of a very large mosaic that I’m currently building for the Southside STEM Academy at Campostella in Norfolk, VA. It’s part of a public art project that entails designing and installing six natural stone mosaics in various elementary schools there over the course of the next couple of years.

The claw itself is made mostly of various marbles from Tennessee.

Hammerhead Stoneworks Featured in Asheville Lifestyle Magazine

Following up Hammerhead’s recent feature in the Slippery Rock Gazette, Asheville Lifestyle magazine’s September 2016 issue features our Green Man mosaic as well as other projects. We completed the Green Man Mosaic for Green Man Brewing in downtown Asheville, NC. The mosaic greets brewery visitors immediately upon entry to the building.

The full size mosaic in the space as featured in Asheville Lifestyle magazine

The full size mosaic in the space as featured in Asheville Lifestyle magazine ©2016 David Dietrich

The article describes in detail the process of designing and creating the Green Man mosaic. It covers Marc’s attention to detail and quality, it elaborates on the local materials used for the project, and it gives an introduction to the full Hammerhead crew. The feature also includes a glimpse into one of Marc’s personal pieces entitled The Boy With Antlers (pictured below).

"The Boy With Antlers" is a natural stone mosaic.

“The Boy With Antlers” is a natural stone mosaic

Read the full feature in Asheville Lifestyle magazine here.

 

In the mosaic workspace

In the mosaic workspace

 

Contributors to the Asheville Lifestyle Magazine Feature

We would like to extend our gratitude to Tom Rogers for authoring this piece as well as to David Dietrich, Emily Glaser, and Kristin Cozzolino for their photo contributions.

 

Hammerhead Stoneworks Featured in the Slippery Rock Gazette

The Slippery Rock Gazette recently featured Hammerhead’s Green Man mosaic completed for Green Man Brewery. The article explains in great detail the process of creating the mosaic from the imagineering phase to the finished product. Additionally, readers can learn about why certain stones were selected as well as what a project of this scale entails.

Access the full feature here.

Special Thanks for the Slippery Rock Gazette Feature

We extend our gratitude to Peter J. Marcucci for authoring this feature as well as to Braxton-Bragg, who both publishes the Gazette and regularly supplies Hammerhead Stoneworks with cool tools and cutting supplies.

The full size mosaic in the space as featured in the Slippery Rock Gazette

The full size mosaic in the space Photograph ©2016 David Dietrich

The Mountain Waterfall Mosaic

The Mountain Waterfall Mosaic is located at First Baptist Church of Asheville, and it was the last part of the Memorial Garden that we completed there. The waterfall was a collaborative effort between Hammerhead and the crew at Medallion Pools led by Mark Dorsey. While Mark and crew took charge of the waterwork elements of the waterfall, Hammerhead was charged with designing and installing the stone.

Details About the Mountain Waterfall Mosaic

The waterfall is located at the end of the stream path. In fact, the bluestone that runs throughout the stream path represents the flowing water and widens as it reaches the pool. The floor of the pool is completely done in the bluestone as well. The sky in the waterfall mosaic is also bluestone, and I like the implied metaphor here. These elements were key components of the design created by Steve Wyda and Ryan Blau of Vision Design Collaborative, the landscape architects who designed the Memorial Garden.

Stream Path Leading to Waterfall

Stream Path Leading to Waterfall

The spillway is made of mountain stone, while the sun and sunset clouds are made of Tennessee sandstone. The Tennessee sandstone is used throughout the entire project at First Baptist Church of Asheville, including in the stream path, the labyrinth itself, and several of the benches. The mountains are made of a native stone that is sometimes called Emerald Gray. We were able to source it from Marion, NC, a town about an hour east of Asheville.

Mountain Waterfall Mosaic

Mountain Waterfall Mosaic

Our Thoughts About this Project

The waterfall was a very challenging build. It wasn’t one project but rather ten small projects combined, each with its own specific components. And when it was done and the water was flowing for the first time, it immediately became my favorite. The sound of the water washed away the months of stress of getting the whole garden finished.

Our completed waterfall flowing

Our completed waterfall flowing

At Hammerhead, it’s the challenges of the project that get us excited. We will take on almost any project, but we do have a couple of rules: no veneer and no water features. Of course, we broke both of these rules for the waterfall. The mosaic background – the mountains and the sunset – is a cut stone approach to veneer. It’s 4 inches thick, basically the depth of the brick, and is affixed to a block wall coated in shotcrete. I am proud to say, it doesn’t look like any lick’em-stick’em I’ve ever seen.

I try to avoid the naturalistic water features that are so commonplace now. Making mountain streams is Mother Nature’s domain, not mine. But this waterfall had just the right balance of creative freedom in the design, execution, and technical challenges to keep us all engaged and excited about the outcome. It’s my favorite project – for now…

Our completed waterfall flowing

Our completed waterfall flowing

GreenMan Mosaic: Brewery is open!

At long last the GreenMan Brewery has officially opened, meaning I can legitimately post images of the natural stone mosaic we built for them. I already had, but really wasn’t supposed to! It is one of our most ambitious projects to date. The 320 square foot mosaic is comprised exclusively of natural stone, all cut and fitted by the Hammerhead crew. Much of the stone is regional, including a lot of stuff from North Carolina. The yes are malachite found in local gem and mineral shops, though it most likely originated in Africa.

Exploring stone choices for the GreenMan Brewery mosaic.

Exploring stone choices for the GreenMan Brewery mosaic.

This is actually the second full scale face I printed and assembled. The first one showed some clear design concerns, particularly in terms of the size of facial features. It’s one thing to draw at screen size. Blown up to eleven feet across and hung up over my head, it was clear the lips were too big compared to the eyes. This printed version fixed those issues and was used to host a meeting with the designer, Krista Lablue and Wendy from GreenMan. The stone samples on the ground helped us choose the palette for the final mosaic. The whole Hammerhead team took part in this meeting, which I think helped us move forward smoothly with the process; everyone had input in the stone choices and had a good understanding of the customer’s vision.

Creating the malachite eyes for the GreenMan Brewery mosaic.

Creating the malachite eyes for the GreenMan Brewery mosaic.

I ended up making the eyes twice. The first time became a test of the concept, which worked! But because the malachite was so costly I only bought enough to make one. I bought more and made the second eye, but there were clear differences in the color and look. I took them apart and rebuilt them mixing the stone randomly and got the look I wanted. The eyes are the only place where we used a more traditional mosaic style, making tiny tesserae. I like the effect though, it is evocative of ancient mosaics, populated with characters like Dionysus and Bacchus.

gren-man-final-17

Here’s a close up of the eye installed.

We built the GreenMan Brewery mosaic at the shop first, right on top of the Labyrinth!

We built the GreenMan Brewery mosaic at the shop first, right on top of the Labyrinth!

We cut and laid out the mosaic at the workshop, detailing the fits as best we could, prior to installation. Space was limited, so we had to build the GreenMan right over the top of the Labyrinth. The green insulation foam guided the fitting of the pieces, all of which had been cut from templates. It proved useful on the installation too…

We used foam insulation as a template and setting guide at the start of the GreenMan Brewery mosaic.

We used foam insulation as a template and setting guide at the start of the GreenMan Brewery mosaic.

Installation began with the eyes, as they needed to be level and centered on the wall. The green foam was perfect for supporting the mosaic pieces on the wall while they cured.

The GreenMan mosaic stares out through the scaffolding as we near the finish line.

The GreenMan mosaic stares out through the scaffolding as we near the finish line.

Even through all the clutter, it was amazing to watch the GreenMan’s towering visage appear on the wall.

The GreenMan mosaic is 20' tall and 16' wide. The face really fills the space.

The GreenMan mosaic is 20′ tall and 16′ wide. The face really fills the space.

The finished mosaic is twenty feet tall and sixteen feet wide. It is opposite the main entrance of the brewery’s new downtown location. It’s the first thing you see coming in the front door. It’s kind of imposing!

A detail of the leaves in the GreenMan mosaic showing several of the native stones we used.

A detail of the leaves in the GreenMan mosaic showing several of the native stones we used.

The face is made of marble from Tennessee. The leaves that surround the GreenMan’s face is mostly native North Carolina stone, though we used a fair amount of slate reclaimed from an old house in Asheville. I’m not sure it’s source. The eyebrows are serpentine. Again, I’m not sure where it comes from, but there’s some of the same stone on older buildings in downtown Asheville, making me think it’s at least regional. The background surround is sandstone from Tennessee.

A close up of the GreenMan mosaic face.

A close up of the GreenMan mosaic face.